Hellboy in Hell: Nothing But Blood #1 — Mike Mignola Returns to the Underworld with a New Chapter
Hellboy is back in the abyss. Mike Mignola and Cyrille Pomes launch a new two-issue arc in Hellboy in Hell: Nothing But Blood, where the B.P.R.D. legend faces an uprising in Pandemonium. Trust me, this is the kind of atmospheric dread that defines the series.
There’s a specific kind of comfort in returning to a place you know by heart, especially when that place is a personal nightmare. That’s the vibe with this new launch. After the conclusion of the previous story arc, Mike Mignola is handing the torch back to Hellboy for a fresh two-issue journey. It’s not just a continuation; it’s a return to the core identity of the character—solitary, brooding, and surrounded by the weird and wonderful horrors of the underworld.
The setup is pure classic Mignola: atmospheric, mysterious, and visually arresting. Hellboy finds himself in the thick of an uprising against the most powerful demons in Pandemonium. He steps in to protect a young woman being hunted by winged beasts, but as always in the Pit, appearances are deceiving. Nothing is what it seems, and the lines between ally and enemy are beautifully blurred. It’s a high-stakes scenario that feels intimate despite the apocalyptic backdrop.
Cyrille Pomes is the artist behind the visuals, and if you’ve read his work on Moon or 6,000 Miles to Freedom, you know his style is perfect for this. His linework brings a distinct texture to the infernal landscape, capturing the grime and grandeur of Hell without losing the character’s rugged charm. Dave Stewart’s colors and Clem Robins’ lettering complete the package, ensuring that every panel feels like a living, breathing piece of gothic art.
This is the one I’d hand you if you’ve been away from the series for a bit or if you’re looking for a standalone entry that still rewards long-time fans. The two-issue structure gives the story room to breathe, allowing the mystery to unfold without the pressure of a sprawling narrative. It’s a tight, focused misadventure that reminds us why we love these comics.
Keep an eye on the variant covers too—Cyrille Pomes is handling the main cover, and his art here is a treat for the eyes. The stack moves quickly, so if you want to dive into this new chapter as it drops, the product page is the place to be. It’s a small, potent dose of Hellboy magic, and it’s worth every penny.