Hellraiser: Resurrections — Sarah Gailey and Alessio Avallone Unpack Pinhead’s Origin



Pinhead’s origin gets a visceral reimagining in Hellraiser: Resurrections. Writer Sarah Gailey and artist Alessio Avallone take Elliot Spencer on a harrowing journey through Middle Hell, where the absence of sensation is the only true torment. This five-part one-shot series kicks off with a story that asks if peace is possible for a man cursed to feel everything.
There is a special kind of terror in having nothing to feel at all. That is the haunting premise of Hellraiser: Resurrections, the first of five one-shots that Boom! Studios is using to set the stage for a new ongoing series launching this winter. This isn’t just a continuation; it’s a re-rooting. For readers who have followed the mythos for decades, or those who have only heard the whispers of Clive Barker’s creation, this debut issue offers a fresh lens on a character who has been many things: The Hell Priest, The Acolyte, The Cold Man. Now, he is just Elliot Spencer, caught in the sensory void of Middle Hell.
Elliot Spencer has lived so many lives and died so many deaths, yet none have offered an exit. Trapped in a state of absolute neutrality where pain and pleasure are equally denied, he suffers the one fate he cannot escape: unending consciousness. When Leviathan’s light finally breaks through, granting him the gift of sensation, it is less a liberation and more a revelation. The narrative follows his return to form, gathering his Gash once more to spread what he now believes is a blessing. It’s a journey of self-remaking, guided by a calling that insists he *is* the way, rather than just following it.
Writer Sarah Gailey brings a sharp, psychological depth to the horror, focusing on the ecstasy and agony of feeling as a central conflict. Her prose is matched by the art of Alessio Avallone, whose visuals explore the ecstatic depths of sensation with a style that is both beautiful and disturbing. The cover by Zach Howard hints at the atmospheric weight of the story within, framing Pinhead not just as a monster, but as a figure burdened by the weight of his own existence. This issue sets a tone that is intimate, visceral, and deeply unsettling.
This story feels like the essential entry point for anyone wanting to understand the current state of the Hellraiser mythos. By grounding the cosmic horror in Elliot’s personal experience of sensation and isolation, Gailey and Avallone create a narrative that is accessible yet rich with lore. It’s a debut that demands to be read for its atmosphere alone, and it sets a high bar for the ongoing series to follow. If you’ve been waiting for a Hellraiser comic that prioritizes mood and character over simple shock value, this is the one to grab.
