Savage Sword of Conan #15 — A Dual-Team Power Surge on the Shelf

Titan Comics’ Savage Sword of Conan continues its relentless march through the Hyborian Age with issue #15, stacking two distinct creative teams and striking cover art into one dense, visceral issue. From assassination plots to legendary collaborations, this is the kind of comic that just demands to be held.

The Hyborian Age is a world that rewards bold choices, and Savage Sword of Conan #15 is nothing if not bold. Titan Comics keeps the pressure on with an issue that feels like two comics bound in one cover, giving readers a chance to experience two completely different flavors of sword-and-sorcery action in a single sitting. If you’ve been following Conan’s journey through the mud and blood of the ancient world, this issue is a feast.

The first half of the dispatch comes from the powerhouse team of Jimmy Palmiotti, Amanda Conner, and Andy Belanger. They’re tackling a narrative built on misdirection and lethal consequences, focusing on a deadly game of swapped targets that promises tension from the first panel to the last. Belanger’s art brings a kinetic, gritty energy to the page that fits the chaotic nature of the premise perfectly.

But the real treat for long-time fans is the second story, which sees the return of the legendary team of Tom DeFalco and Ron Frenz, joined by Pat Olliffe. DeFalco and Frenz are household names in the genre, known for defining a generation of readers’ love for Conan. Having them back in the saddle for a fresh tale of adventure feels like a homecoming, grounding the series in its storied history while pushing the narrative forward.

Visually, the issue is a showcase. Alex Horley and Esad Ribic each bring their signature styles to the covers, creating pieces that are as much art objects as they are windows into the story. The pin-ups included in the issue further highlight the range of talent involved, making this a collectible piece for those who appreciate the aesthetic side of the genre.

I’d keep an eye on the Horley cover in particular; his work tends to move quickly among collectors who appreciate that specific brand of heroic realism. It’s the kind of issue that reminds you why this property endures: it’s raw, it’s artistic, and it doesn’t waste a single page. This is the kind of book you pick up and immediately want to pass on to your friends who think Conan is just a one-note character.