The Foundry #1 turns the Queen's secret agency into a globe-trotting hunt for supernatural tech.

Mike Mignola's universe is about to get a major boost. Chris Roberson and Christopher Mitten reunite to launch The Foundry, a four-issue Dark Horse series that follows the Queen's secret paranormal agency as they track down ancient technologies across the globe. If you love the occult bureaucracy of Witchfinder, this is the adventure series that expands that world beyond London.

You know that specific flavor of ink that Mike Mignola put on the page a few decades ago and still haunts your dreams? It's back in a way that feels both fresh and deeply familiar. Dark Horse is handing the reigns of the Queen's shadow operations to Chris Roberson and Christopher Mitten, and the result is The Foundry. This isn't just a spin-off; it's a celebration of the weird infrastructure that makes Mignola's world tick, expanded by two creators who already know every cobblestone and secret door.

The premise is a treasure hunt with a supernatural twist. The team travels the world to uncover supernatural-powered technologies and the civilizations that originally harnessed them. It's a global expedition where every artifact has a history, and every history has teeth. Roberson brings his knack for bureaucratic intrigue and character depth, while Mitten's art captures the texture of these ancient relics and the modern agents who handle them. You're going to feel the weight of centuries in every panel.

What makes this debut worth your time is the reunion itself. Roberson and Mitten share a rhythm that's hard to replicate, balancing action with the quiet moments where characters actually process the weirdness they've witnessed. This four-issue run promises a focused story that expands the Witchfinder ecosystem without losing its heart. If you've ever wanted to see how the pieces fit together behind the scenes of the British Paranormal Society, this is the window.

Here's a tip for your stack: keep an eye on the variant covers for this one. Christopher Mitten handles the cover art, and his line work has a distinct texture that translates beautifully to the variant frame. It's the kind of piece that looks incredible on the shelf and tells you exactly what the book is about at a glance. Grab the main cover if you want the story, but the variant is the one you'll want to frame later.